Patrik Krook

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Bästa album Pitchfork

  • Blood Incantation: Hidden History of the Human Race
    <p>On their psychedelic and virtuosic second album, the Denver quartet brings death metal to new and exalted places.</p>

  • Davido: A Good Time
    <p>On his second album, the Nigerian pop artist provides not just an integrated sound all his own but a clear vision for its future. It is a buoyant, unsinkable record, one of the genre’s finest ever.</p>

  • FKA twigs: MAGDALENE
    <p>With limitlessly innovative songwriting and production, the cinema of twigs’ music has never been more affecting. <em>MAGDALENE</em> is not just on the vanguard of pop, it’s in a breathtaking class of its own. </p>

  • Earl Sweatshirt: Feet of Clay
    <p>A woozy, raw, magical, and extremely short album from hip-hop’s most tantalizingly inscrutable rapper.</p>

  • Floating Points: Crush
    <p>After a run of dates playing “obtuse, strange” music as a warm-up act for the xx, Sam Shepherd translates that experimental energy to an album of mischievous, melodic, stripped-down electronic music.</p>

  • Kim Gordon: No Home Record
    <p>After 38 years of making music, Kim Gordon’s thrilling solo debut lives at the vanguard of sound and performance, shot through with the beautiful, unsparing noise that has always defined her art.</p>

  • Big Thief: Two Hands
    <p>The second landmark album this year from Big Thief is raw, tactile, and essential. The intimate songs zoom in on a band that feels, at this moment, totally invincible.</p>

  • Nick Cave & the Bad Seeds: Ghosteen
    <p>Forty years into his career, Nick Cave emerges with one of his most powerful albums yet, an endlessly giving and complex meditation on mortality and our collective grief.</p>

  • Angel Olsen: All Mirrors
    <p>The breathtaking songs of Angel Olsen’s fifth album are fleshed out by a 12-piece string section and deliver grand gestures about romance, authenticity, and being simply at the mercy of how we feel.</p>

  • Brittany Howard: Jaime
    <p>The exceptional solo debut from the Alabama Shakes singer-songwriter is a thrilling opus that pushes the boundaries of voice, sound, and soul to new extremes.</p>

  • Jenny Hval: The Practice of Love
    <p>The Norwegian artist brings her heady, personal text into the world of dance music to create an affecting, transcendental album that lives on the boundary of pop and the avant-garde.</p>

  • (Sandy) Alex G: House of Sugar
    <p>The enigmatic songwriter’s latest album is full of vignettes that shift to reveal and conceal themselves in ways too unpredictable to be easily faked. It might be his best yet.</p>

  • Lana Del Rey: Norman Fucking Rockwell!
    <p>On her elegant and complex fifth album, Lana Del Rey sings exquisitely of freedom and transformation and the wreckage of being alive. It establishes her as one of America’s greatest living songwriters.</p>

  • Young Thug: So Much Fun
    <p>Featuring several of his acolytes, <em>So Much Fun</em> remains a triumphant showcase for the iconoclastic Young Thug and one of his best albums to date.</p>

  • Oso Oso: Basking in the Glow
    <p>The excellent album from the Long Island singer-songwriter Jade Lilitri is sharp and radiant, a massively catchy guitar record about trying to walk the straight and narrow.</p>

  • Bon Iver: i,i
    <p>On his fourth album, Justin Vernon reassembles the familiar Bon Iver elements like a cubist collage, with his voice fearlessly front and center. The result is his most honest and forthright music ever.</p>

  • Burna Boy: African Giant
    <p>The Nigerian singer blends the personal and political into a new benchmark of Afro-fusion music.</p>

  • Florist: Emily Alone
    <p>Emily Sprague’s folk music turns solitude into an evocation of spirits. Her latest album as Florist grapples with change, death, and uncertainty with some of the most arresting songwriting of the year.</p>

  • Maxo Kream: Brandon Banks
    <p>Sordid family history has long been the source of the Houston rapper’s most resonant storytelling. His latest project is such a major leap in craft and style, it becomes a superpower.</p>

  • Purple Mountains: Purple Mountains
    <p>David Berman’s first new music in over a decade is a marvelous collection of heartbreak, grief, and bitterness. His careful writing has never sounded so exacting or direct.</p>

  • Moodymann: Sinner
    <p>The elusive Detroit producer returns after a years-long mysterious absence with a burning, urgent, and immersive new LP.</p>

  • MIKE: Tears of Joy
    <p>The Bronx rapper drags himself back and forth between agony and breakthrough on his latest record, the fullest and most realized album of the 20-year-old’s career.</p>

  • Thom Yorke: ANIMA
    <p>The third solo album from Thom Yorke is the first one that feels complete without his band behind him. It floats through the uneasy space between societal turmoil and internal monologue.</p>

  • black midi: Schlagenheim
    <p>The London guitar band’s debut is twitchy, hair-raising, always on the move. They harken back to a more esoteric era of indie with a magnetic and dazzling style.</p>

  • Mannequin Pussy: Patience
    <p>On their third record, the Philly band has achieved a balance between seething chaos and quietly devastating vulnerability. It’s one of the best punk rock records of the year.</p>